William Blake was an English poet, painter was born November 28, 1757, in London William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public   Related Paintings of Blake, William :. | Songs of Innocence | A Wreath of Flowers | Elisha in the Chamber on the Wall | Nebuchadnezzar | Dante and Virgil at the Gates of Hell |
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Robert Dampier
(1799 - 1874) was a British artist and clergyman. Dampier was born in 1799 at the village of Codford St Peter in Wiltshire, England He was baptised on the 20th of Dec. 1799 (LDS IGI record batch # C014402). He was one of 13 children of Codford St Peter's rector Reverend John Dampier (1763-1839) and his wife Jane. In 1819 he went to Rio de Janeiro in Brazil as a clerk. In 1825, he was picked up in Rio to be the expedition artist on the English ship HMS Blonde under the command of Captain George Anson Byron. The ship was returning the bodies of King Kamehameha II and Queen Kamemalu to the Hawaiian islands (known by the British as "Sandwich Islands"), after both died from measles during a visit to England. Robert Dampier spent 11 weeks in Hawaii painting portraits in oil paint and making pencil drawings of landscapes. After returning to England, he studied law at Cambridge University and then was ordained in the Church of England. He married Sophia Francis Roberts in 1828. In 1837 he became rector of Langton Matravers church. Circa 1843 they had a daughter Juliana Sophia, His wife Sophia died in 1864, and he married again in 1872. He had a daughter Frederika from the second marriage. Although employed a rector, he continued to sketch until his death in 1874. Major works by Robert Dampier are held by the Honolulu Academy of Arts and Washington Place, also in Honolulu, Hawaii.
Emile Munier
was a French academic artist and student of William-Adolphe Bouguereau. Emile Munier was born in Paris and lived with his family at 66 rue des Fosses, St. Marcel. His father, Pierre François Munier, was an artist upholsterer at the Manufacture Nationale des Gobelins and his mother, Marie Louise Carpentier, was a polisher in a cashmere cloth mill. Emile and his two brothers, François and Florimond, were gifted artists and each spent some time at the Gobelins. During Emile's training he developed a close relationship with his professor Abel Lucas and his family. He eventually married Abel's daughter Henriette. During the 1860s, Munier received three medals at the Beaux-Arts and in 1869 he exhibited at the Paris Salon. He became a great supporter of the Academic ideals and a follower of Bouguereau, whose subject matter would be an important inspiration to the young Munier. In 1867, Henriette gave birth to a son, Emile Henri. Six weeks after the birth, having contracted severe rheumatism, Henriette died prematurely. In 1871, Munier abandoned his career as an upholsterer and devoted his time solely to painting; he also began teaching classes to adults three nights a week. Sargine Augrand, a student of Abel Lucas and a close friend of Emile and Henriette (before she died), caught Emile eye; they married in 1872 and lived in a small apartment and studio. Munier frequented the studio of Bouguereau, and they became friends. In 1885 he painted, and exhibited at the Paris Salon, Trois Amis (Favourite Pets). This painting, representing a chubby girl playing on her bed with a kitten and a dog, was an extremely successful work, being reproduced in many forms and used for publicity posters by Pears Soap. With this work, Emile asserted himself as one of inters of young children and their pets; it was eventually acquired by an American collector. Among his many American patrons were Chapman H. Hyams and his wife, who were important collectors of contemporary French paintings during the 19th century and favored artists like Henner, Bouguereau, Gerôme, Vinel and Schreyer. Munier painted their portrait in 1889, and it, along with much of their collection, is now in the New Orleans Museum of Art. During the 1890s Munier continued to paint peasant, mythological and religious subjects. In 1893 he exhibited L'esprit de la chute d'eau, at the Paris Salon, a nude nymph whom is not unlike Naissance de Venus by Bouguereau.
Gaudenzio Ferrari
1741-1546 Italian Gaudenzio Ferrari Location Italian painter and sculptor. He probably received his training at Varallo at the beginning of the 1490s, a lively period in the town artistic life, when extensive works were being carried out at the sacromonte. His master was Gian Stefano Scotto ( fl 1508), none of whose works has as yet been identified but who, judging from the early work of his pupil, may have been influenced by Lombard artists. Gaudenzio early works, such as a painting on panel of the Crucifixion (Varallo, Mus. Civ. Pietro Calderini), were influenced by the poetic art of Bramantino and by the northern Italian classicizing style of the Milanese painter Bernardo Zenale. His early, but self-assured, Angel of the Annunciation (c. 1500; Vercelli, Mus. Civ. Borgogna), painted for the Convento delle Grazie, Vercelli, suggests that these sources were soon enriched by his response to the tender Renaissance style of Pietro Perugino (active at the Certosa di Pavia, 1496-9). Gaudenzio is also recorded at Vercelli in the first known documentary reference to him, the contract for a polyptych commissioned by the Confraternit? di Sant Anna in 1508, with Eusebio Ferrari acting as guarantor. There remain four paintings of scenes from the Life of St Anne and God the Father (Turin, Gal. Sabauda) and two of the Annunciation (London, N.G.). In these works Gaudenzio style is more controlled, possibly as a result of a journey to central Italy in c. 1505.